Tuesday, January 13, 2009

tango or not tango

(copied from Dubravko's musings)

There was a recent discussion on Tango-L group about this video (see Milonga en Alemania):



Some comments were lamenting about the "tango nuevo" phenomenon and its repercussion.

I wrote (edited for the purpose of this post):

One thing I like about this context for dancing is the backdrop character of the music.

This music is not danced (tango music is danced) -- it provides a channel, a basis, an opportunity to amplify a mood. And then that mood is danced out in a very personal way, just as the amplified mood is a very personal matter.

Another point about this music is that, for me, it has an equalizing effect on dancing partners in a sense that allowsboth partners to fully and simultaneously create. It presents an enormous playground for improvisation.

In other words, when it is danced well (I have a long way to go, but desire to get there), it allows for a continuous change of traditional "roles" and thus the product, the whole spectrum of dance sensations, is co-creative. Very, very different from classic tango dancing.

As a mater of fact, if you dance to this music in a classic way, you will almost certainly get bored quickly. But venture into co-creation and you will be amazed by the whole new set of sensations. Certainly, some of the "classic" sensations are "out the window" too. Hence, you gain some and you lose some.

Of course, the classic tango is in a way co-creative as well, but with the "roles" very defined and maintained throughout the dance, with very few exceptions.

I am sure there are those on this list who see this in a very different light. I hope we realize that we should not be seeking "the truth" about it, but are simply sharing our own attitude about it which can not be right or wrong - it is very personal.

Finally, should this be called tango? I do not really care and do not wish to discuss at all.


My comment was really only about the music used for that clip not about the dancing. What do you think?

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